19/12/2014 Happy Holidays from Project Pressure

© Studio Peter Funch

© Studio Peter Funch

As it is the season for giving we want to recognize your support with a free download of Peter Funch’s expedition newspaper. Peter went to Mount Baker in Washington, USA for Project Pressure in September of this year. Using his practiced RGB tricolor separation he was able to reflect on the movement of the temporary against the inert mountain. The research undertaken for this project and the journey he and his team took were documented and can be saved in this downloadable PDF.
Download the Newspaper here.

19/12/2014 When I Am Laid In Earth

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Mapping with a pyrograph, the melting away of the Lewis Glacier on Mt. Kenya.

By Simon Norfolk

These fire lines I have drawn represent where the front of the Lewis Glacier was at various times in the recent past; the years are given in the captions. In the distance, a harvest moon lights the poor, doomed glacier remnant; the gap between the fire and the ice ‘snout’ represents the relentless melting.

Project Pressure were the first people to inspire me to turn away from my usual fascination with warfare and to focus instead on the environment. They pointed me towards old maps, modern GPS data and mapping surveys from peer-reviewed journals. Equipping me with the correct maps was important to the documentary truthfulness of this project since I always saw it as mapping-in-reverse, a kind of unspooling of cartography. My work starts with the two-dimensional factuality of maps and then goes out and finds a kind of truth-on-the-ground, traces of time lying within the ground. Photographing time’s thickness, trying to expose it’s ‘layeredness,’ is a theme which has run through all of my work these last dozen years. It was clever of Project Pressure to see that what I find interesting about the landscapes of warfare could equally be applied to glacier retreat.

It seems entirely appropriate to make these pictures here. Mount Kenya is the eroded stump of a long-dead, 6,000m mega-volcano. Photographically, I hope to re-awaken its angry, magma heart. The mountain has an especially fierce demeanour, the peaks are childishly sheer and ragged, and since I first saw them I’ve been thinking of Gormenghast and Tolkien. The ‘Fire vs. Ice’ metaphor I employ is especially delicious for me. My fire is made from petroleum. My pictures contain no evidence that this glacier’s retreat is due to man-made warming (glaciers can retreat when the don’t get sufficient snow, or if the cloud cover thins, for example,) but it is nonetheless my belief that humans burning hydrocarbons are substantially to blame.

But there are romantic reasons to be here too. To be next to the ice is to feel privileged: like you are beside a colossal, sleeping giant. I imagine being close to a darted bull-elephant feels the same and I’m reminded of a 17th century Dutch painting of awestruck, bewildered burghers contemplating a stranded whalefish. Close-up one senses the glacier’s bulk, it’s coiled, dormant energy or it’s colossal longevity. And, of course, its cold, resigned indifference. One is hit by an overwhelming feeling of one’s own smallness and transience. Englishmen have been feeling this way about mountains for 300 years, since Romantic, Grand Tour travellers first astonished Swiss inn-keepers with the request for help in climbing to the heights. Nobody had done that before; for the fun of it, because it made you feel whole, because it feeds the soul. But this is the opposite – to think that in ten or twelve years this elegant, magnificent glacier will exist only in photographs is unbearable. The feeling I have for the losing of the Lewis can only be called grief.

So, see it now before it’s gone: get in quick before Mount Kenya is just an unadorned rocky stump, robbed of it’s crown. Unless of course you feel that flying around the world injecting tonnes of hot CO2 into the troposphere in order to witness the melting of Africa’s glaciers, is just a little too ironic.

17/12/2014 Project Pressure in The New Yorker

Postcard_04_LOWPeter Funch’s incredible photographs from his time on Mount Baker, for Project Pressure, have been published in The New Yorker. Using his practiced RGB tricolor sepraration he was able to reflect on the movement of the temporary against the unmoving mountain. You can have a look at his comparative images and read an interview with him here.

17/12/2014 Glaciers in Iran

Mount Damavand from a distance

Mount Damavand from a distance

While in Iran, Klaus Thymann and the expedition team were able to meet locals who rely on the glacial melt as a source of freshwater. They were able to experience life on the mountains and witness the dependence on agriculture in these regions. The Guardian have highlighted this in a recent photo story available to see here.

The series of archive and expedition photographs depict the urgency of the situation surrounding climate change and the individuals who rely on such natural ice forms to sustain life in remote areas. This expedition was funded by Polaroid Eyewear and the photographs will add to the growing, royalty-free archive we are compiling.

11/12/2014 Mount Baker Kickstarter Rewards

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This month has seen all the rewards from Peter Funch’s Expedition: Mt Baker Kickstarter campaign get sent out. Rewards included postcards, inkjet prints, and behind the scenes newspapers. We will shortly be making the newspaper available to download for free. Make sure you subscribe to our newsletter so you don’t miss out.