21/09/2018 Tarfala Valley
Project Pressure developed a new way of visualising the changes in glacier landscapes through photography in collaboration with Dutch film company PostPanic and geologist Erik Schytt Holmlund.
By sourcing images from 1946, 1959, 1980, 2008 and 2017 of the Tarfala Valley and the Kebnekaise mountain in Sweden, the team created 3D models of these landscapes through photogrammetry. Throughout the video, viewers can see the landscape fade in and out with each year. As the video progresses into more recent times, the devastating impact humans continue to have on the melting glacier landscape is undeniable.
In 2018 the highest point in Sweden changed, excessive heat in 2018 melted the South peak of the Kebnekaise mountain so the North peak is now Sweden’s highest point.
21/09/2018 When Records Melt featured in the Guardian
Image: Thjorsa River, Iceland, 2012, © Edward Burtynsky/Project Pressure
“Ed Burtynsky explores the water storage and transport systems that can be found in glaciers, focusing on how they release water into the world’s river systems. The resulting images depict the beauty and monumental scale of the meltwater runoff. Burtynsky reminds us of what we are losing as glaciers continue to diminish across the globe.”
When Records Melt exhibition with contributing artists Michael Benson (DE), Adam Broomberg (ZA) & Oliver Chanarin (UK), Edward Burtynsky (CA), Peter Funch (DK), Noémie Goudal (FR), Simon Norfolk (NG), Christopher Parsons (UK) and Klaus Thymann (DK).
21/09/2018 New Scientist Review
Review of Project Pressure’s exhibition When Records Melt in the New Scientist magazine.
“Visit the Rhône Glacier in southern Switzerland, and you are more than likely to wander past a small shop. It’s worth a visit: the owners have carved out an ice grotto, and charge tourists for the eerie and beautiful experience of exploring the inside of their glacier’s mass of blue ice.
Now, though, it’s melting. The grotto is such an important part of their livelihood, some years ago the owners invested 100,000 euros in a special thermal blanket. “It’s kept about 25 metres’ depth of ice from disappearing and has kept the grotto in business,” explains the photographer Simon Norfolk. But a few winters on the mountain have left the blanket in tatters.
“It’s the gesture that fascinates me,” says Norfolk. “There is something insane about trying to reverse the inevitable – a gesture as forlorn and doomed as the glacier itself.”
Norfolk and fellow photographer Klaus Thymann climbed up to the grotto just before dawn, armed with a light attached to a helium balloon that cast a sepulchral light over the scene. “I wanted to recreate the same light you get over a mortuary slab,” Norfolk says.
Emilia van Lynden, artistic director of Unseen Amsterdam, finds the effect as aesthetically chilling as it is beautiful. Of the whole series, called Shroud, she observes: “We’re seeing a glacier being wrapped and prepared for death.”
“There’s next to no photo-journalism here,” van Lynden explains. “None of the images here expect you to take them at face value. They expect you to pay attention and figure things out for yourself. These are works into which you need to invest a little bit of time and effort, to see what the artist is trying to tell you.” ”
12/09/2018 Unseen Amsterdam + Project Pressure
When Records Melt
A Photographic Exploration Of The Cryosphere
21-23 September 2018
The launch of Project Pressure’s travelling exhibition When Records Melt takes place at Unseen Amsterdam the 21-23 of September. The exhibition features international artists that focus on raising awareness through a variety of photographic interpretations, depicting issues surrounding the global environment in a new and inspiring context. These artists utilise the unique characteristics of photography to engage emotions in order to incite positive behavioural change.
Featured artists are: Michael Benson (DE), Adam Broomberg (ZA) & Oliver Chanarin (UK), Edward Burtynsky (CA), Peter Funch (DK), Noémie Goudal (FR), Simon Norfolk (NG), Christopher Parsons (UK) and Klaus Thymann (DK).
Friday: 11.00 – 21.00
Saturday: 11.00 – 20.00
Sunday: 11.00 – 17.00
Please visit unseenamsterdam.com for more practical information.
11/09/2018 Broomberg & Chanarin
Image: © Broomberg & Chanarin, Switzerland, 2016
Taking inspiration from Paul Auster’s tale of a mountain explorer found preserved in ice Adam Broomberg & Oliver Chanarin began to look at recovered objects that had been ‘rejected’ by receding glaciers. Exploring the notion of the glacier as a form of memory bank. The process was an ‘excavation of chance’: documenting preserved artefacts that have been revealed naturally as the glaciers diminish. Initial research has found that glacial archaeology is, in the wake of climate change, uncovering artefacts at an unprecedented rate. This is happening around the world but in the Swiss alps there are teams dedicated to excavating remains and documenting the archeological finds so it was a perfect place to commence this project.
“We treated the glaciers as an archive which as a result of global warming are suddenly revealing artefacts that have for millennia been perfectly preserved in the stable, frozen mass. The objects reveal remarkable and intimate details of individual lives lived long ago but they also speak about the end of the fucking world in the very near future.”